Blog - Bahamas Photographer — Scharad Lightbourne, Bahamas Premier Portrait Photographer

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Manipulating Natural Light for Portraits with Simple Modifiers

I woke up one morning and decided that I wanted to shoot some natural light portraits and I scrolled through my Instagram to see who I could ask randomly. It's great when you can find someone who actually models and acts also. Elena Bargo was just that person that I had in mind to shoot for such an exercise so when I reached out to her and mentioned what I wanted to do, she happily agreed. We had tried working together before but busy schedules and that cup of tea made it tricky at times. So when I finally locked her down, I think my finals words to her in my pitch were, "let's make it happen!"

Elena mentioned that she lives just off an old golf course and in my head, the greens, trees and foliage would be perfect for the shoot. So after sending her a mood board and agreeing on wardrobe, my team and I set out to capture Elena and shoot a tutorial video at the same time.

Armed with a simple setup, I used two modifiers; 1 large diffuser and 1 collapsible reflector,  manipulating the light on the golf course and illuminating my subject who gave me great looks the entire set. We shot at different points on the course and even threw in a few small props just to give the shoot more of a lifestyle feel. Light retouching and small presets in Lightroom produced a look that I am more than pleased with and I think Elena was too with the entire experience. Watch the Video below and subscribe to my YouTube Channel for more videos.

Image: Scharad Lightbourne // MUA: Erinn Simone

Image: Scharad Lightbourne // MUA: Erinn Simone

WATCH THE TUTORIAL VIDEO. SUBSCRIBE TO MY YOUTUBE

Video: Tony Williams Media. Editing: Scharad Lightbourne

Bahamian pop artist Keeya shoots new visuals for "Hella Good" single

Keeya and her team met with me a few weeks back communicating that they needed "sexy, fun and hype" images for the artist's new single titled "Hella' Good." We were sitting in Starbucks and upon hearing the song, I was amped and ready to go! I loved the track, especially the lyrics and immediately, I began to visualize the images in my head.

Her energy and artsy demeanor meant that I'd have a creative range with the set and images, plus knowing I'd work with my good friend and stylist, Lavonne Alexis of ShoptheCC meant that the wardrobe would be pin-point creative!

Popop Studios, Nassau, The Bahamas, was the perfect canvas to which we'd shoot Keeya and using props like inflatable flamingos (Luxury Floats Bahamas), tea party sets (The Tea Room) and a simple mattress meant that we'd have a storyboard fitting to the song lyrics. Keeya's edgy look only added to each frame and with a monster team, we banged out look after look like it were frames from an action movie.

WATCH THE BEHIND THE SCENES VIDEO!

LISTEN TO "HELLA GOOD" by KEEYA

Untitled + Co & Morgan Model Jasmine

Toronto is one of my favorite places to visit. Its a city with so much diversity; in its people, building, art, film and photography. So it was a no brainer that while I was there, I'd want to set up a few photo-shoots. I liked with my homie April Pabon from NY, while shooting there and she managed to connect us with one of the local agencies. Morgan Models sent us some great picks, albeit newbies to the modeling scene, I immediately took to Jasmine Kassam's exotic features.

Now, when I know Im traveling to a big city, I always put out a few "notice boards" and try to network with industry folk; stylists, hair stylists, MUAs, models and other photographers. So I got lucky to find a triple threat in Rosa Stylez. She was a #girlboss because not only did she style the shoot but she did hair and makeup as well! We worked with a local retailer "Untitled & Co" who donated great urban pieces for the shoot.

I loved Jasmine's look and she followed direction well. It was actually her first shoot since signing with MM in Toronto so I was ecstatic about being the first photographer to shoot her. I was pleased with the outcome.